Monica Isabel Lucas
Professora Associada - Departamento de Música - Escola de Comunicações e ARtes · Universidade de São Paulo
Research Interests
Early Music Musical Rhetoric 18th Century
Biography
Graduated in music from the University of São Paulo and specialized in the performance of early music (recorder and historical clarinets) at the Royal Conservatory of The Hague, Netherlands. She completed her PhD in historical musicology at UNICAMP. She is an Associate Professor in the Department of Music at ECA-USP, responsible for the area of Music History. Her academic-musical work involves research and reflection on taste and style in the 18th-century repertoire and includes, in addition to musical performance, the authorship of books and articles. She is the artistic director of Eos – USP Early Music Ensemble. The group, which includes academic-musical partnerships with early music performers from Argentina, Uruguay, and Chile, was responsible for the South American premieres of canonical works, such as Beethoven's Symphonies No. 3 "Eroica," No. 5, and No. 7 with historical instruments, as well as numerous South American premieres of works by 18th-century composers, especiall
Education
Universidade de São Paulo - USP - Brazil Royal Conservatory the Haghe - Netherland Universidade Estadual de Campinas - UNICAMP - Brazil
Recent Scopus Publications
- Common-places and inner decorum in melodic invention according to Johann Mattheson (1739)
- “O espírito de Mozart pelas mãos de Haydn”: 250 anos de Ludwig van Beethoven
- Melancholy in lachrimae coactae by john dowland
- Johann mattheson and the ideal of the perfect musician
- The art-nature commonplace in Johann Mattheson’s Der vollkommene Capellmeister (the perfect chapel master) by Johann Mattheson
Links
- ORCID https://orcid.org/0000000271203740
- Google Scholar https://scholar.google.com/citations?user=cPg1sFkAAAAJ
- Scopus https://www.scopus.com/authid/detail.uri?authorId=57215030107