Prof. Areeg A. Ibrahim

@helwan.edu.eg

Helwan University

Prof. Areeg A. Ibrahim
Professor and researcher

EDUCATION

- AUC
- UConn
- Harvard

RESEARCH, TEACHING, or OTHER INTERESTS

General Arts and Humanities, Literature and Literary Theory
6

Scopus Publications

36

Scholar Citations

2

Scholar h-index

1

Scholar i10-index

Scopus Publications

  • Ego Quest from Impoverishment to Reconciliation in Velina Houston’s Japanese American Play Kokoro (True Heart): A Freudian Reading
    Lamia Fahim, Areeg Ibrahim, Samia Abou Alam
    International Journal of Arabic English Studies, 2024
    Japanese Americans’ struggle to achieve integration into the American mainstream culture has its powerful impact on their psychological well-being. Socially reserved and family oriented, the Japanese are challenged to cope with the mainstream American individualism and independence. Signs of melancholia, based on Sigmund Freud’s theories, are investigated in Kokoro (True Heart) (2004) written by the Japanese American playwright Velina Hasu Houston. The Japanese American protagonist, Yasako Yamashita, battles with cultural nonconformity and social remoteness which have provoked an aggressive superego incorporated in her mother’s ghost to govern and manipulate her world. The study aims to interrogate how the domineering superego succeeds in exhausting Yasako’s stranded ego driving her to commit parent-child suicide “oyako-shinju.” Although the suicide attempt has highlighted the problematic cultural gaps within the American society, nevertheless it has pinpointed the importance of resolving Japanese minority cultural differences. Velina Houston’s Kokoro (True Heart) does not only offer an astounding psychological insight into Japanese Americans’ battles with a melancholic ego fragmentation and deprivation indicated in symptoms of ambivalence, anxiety, compulsive repetition, sense of guilt and sense of inferiority, but it, also, advances solutions for ego reconciliation and self-conformity.
  • Lessons in Revolting: A postdramatic theatre in Egypt
    Areeg Ibrahim
    Routledge Companion to Theatre and Politics, 2019
  • Politics of choice and cultural representation in translating Egyptian drama between two revolutions (1952-2011)
    Sirkku Aaltonen, Areeg Ibrahim
    Rewriting Narratives in Egyptian Theatre Translation Performance Politics, 2016
  • Introduction
    Sirkku Aaltonen, Areeg Ibrahim
    Rewriting Narratives in Egyptian Theatre Translation Performance Politics, 2016
  • Rewriting narratives in Egyptian theatre: Translation, performance, politics
    Sirkku Aaltonen, Areeg Ibrahim
    Rewriting Narratives in Egyptian Theatre Translation Performance Politics, 2016
  • Literature of the converts in early modern Spain: Nationalism and religious dissimulation of minorities
    Areeg Ibrahim
    Comparative Literature Studies, 2008
    From medieval to early modern times, Spain witnessed a diversity of cultural, religious, and ethnic interactions. Pre-modern Spain is often viewed as a crucible for the three religious communities of Judaism, Christianity, and Islam, either living in convivencia [coexistence], or fighting for reconquista [reconquest]. Certain historical patterns, such as the shuubiyya [anti-Arab movement] with its ethnic underpinnings, recurred and reemerged in the more vicious ethnic prejudice of the Inquisition in early modern Spain. The Inquisition carried with it not only the residues of religious purification, but also the seeds of a growing sense of nationalism. Religious conversion became very controversial and resulted in new social and literary forms of self expression. The concept of taqiyya, or hiding ones religion under exi gency (a concept and practice usually associated with Shu Islam), prevailed among Muslim and Jewish convert-communities living under Christian rule from the fourteenth until the seventeenth century. Their literature?of the Moriscos and Marranos?is imbued with a spirit of equivocation and doubleness, and reflects the mood of that certain historical moment. It is a literature that represents their passive resistance against coercion and oppression in an attempt to galvanize their own sense of identity and entho national heritage. Ibn Khaldun (1332 CE/732 AH-1406 CE/808 AH), the famous Arab/ Muslim historian and sociologist, theorized that history acts in cycles vis-a-vis the rise and fall of political states. In this article I apply his assump tion to the ways in which history seems to promote or witness certain recurring patterns such as the manifestation of ethnic prejudice in early modern Spain. This a/historical (neo-historical, or rather cultural) research makes use of

RECENT SCHOLAR PUBLICATIONS

  • Ego Quest from Impoverishment to Reconciliation in Velina Houston’s Japanese American Play Kokoro (True Heart): A Freudian Reading.
    L Fahim, A Ibrahim, SA Alam
    International Journal of Arabic-English Studies (IJAES) 24 (2) , 2024
    2024.0
    Citations: 1
  • The Potential Impact of Drama Text Translation on Audiovisual Translation
    A Khuddro, A Ibrahim
    British Journal of Translation, Linguistics and Literature 3 (4), 36-53 , 2023
    2023.0
  • Innovation in Gertrude Stein’s Anti-Plays: Genre Analysis of What Happened, Capital Capitals and Dr. Faustus Lights the Lights
    A Ibrahim
    Helwan Journal of English Studies , 2023
    2023.0
  • Brave Expatriate New Worlds: Migration and Acculturation in Betty Shamieh’s Roar and David Henry Hwang’s FOB
    A Ibrahim
    مجلة کلية الأداب-جامعة حلوان 57 (2), 1-11 , 2023 ‎
    2023.0
  • Transformation of Bicultural Korean American Identity from Role Confusion to Fidelity in Julia Cho’s Durango
    L Fahim, A Ibrahim, SAM Abou Alam
    Helwan Journal of English Studies 2 (01), 64-77 , 2023
    2023.0
  • Sonali Pahwa, Theaters of Citizenship: Aesthetics and Politics of Avant-Garde Performance in Egypt
    A Ibrahim
    Modern Drama 64 (2), 250-252 , 2021
    2021.0
  • Lessons in Revolting: A postdramatic theatre in Egypt
    A Ibrahim
    The Routledge Companion to Theatre and Politics 24, 106-108 , 2019
    2019.0
    Citations: 2
  • Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics
    R El Zein
    TDR (1988-) 62 (4), 177-180 , 2018
    2018.0
    Citations: 1
  • Politics of Choice and Cultural Representation in Translating Egyptian Drama between Two Revolutions (1952–2011)
    A Ibrahim
    Rewriting Narratives in Egyptian Theatre, 53-96 , 2016
    2016.0
    Citations: 2
  • Rewriting Narratives in Egyptian Theatre
    S Aaltonen, A Ibrahim
    Routledge , 2016
    2016.0
    Citations: 6
  • Cultural Exchanges and Creative Activists in the American and Egyptian Revolutions: Warren’s Group and Soliman’s Lessons in Revolting’
    A Ibrāhīm
    Proceedings: The Eleventh International Symposium of Comparative Literature … , 2012
    2012.0
    Citations: 1
  • ﻣﺴﺮﺡ ﺍﻷﻗﻠﻴﺎﺕ ﻭﻣﺴﺮﺡ ﺍﻟﻤﻘﻬﻮﺭﻳﻦ: ﻭﺍﺗﺴﻮﻧﭭﻴﻞ ﻟﻠﻜﺎﺗﺒﺔ ﺍﻟﺘﺸﻴﻜﺎﻧﻴﺔ ﺷﻴﺮﻱ ﻣﻮﺭﺍﺟﺎ/Minority Theater and Literature of the Oppressed: Cherríe Moraga's" Watsonville" ‎
    ﺃﺭﻳﺞ ﺇﺑﺮﺍﻫﻴﻢ ‎
    Alif: Journal of Comparative Poetics, ١١١-١٢٧ , 2011 ‎
    2011.0
  • the emergence of Consciousness and the construction of subjectivity as ideology in a spanish and a Tunisian film
    AA Ebrahim
    Philology 51 (1) , 2009
    2009.0
  • Short Arabic Plays: An Anthology
    A Ibrahim
    Ecumenica 1 (2), 111-113 , 2008
    2008.0
  • Literature of the converts in early modern Spain: nationalism and religious dissimulation of minorities
    A Ibrahim
    Comparative literature studies 45 (2), 210-227 , 2008
    2008.0
    Citations: 18
  • Masks of ontology: A comparative study of representative contemporary British and Egyptian drama
    AAH Ibrahim
    University of Connecticut , 2003
    2003.0
    Citations: 1
  • Times of Unrest [Zaman Qaraqoush]
    A Ibrahim
    Cairo: General Egyptian Book Organization , 1999
    1999.0
    Citations: 2
  • Angry Half-rebels: Osborne's Jimmy Porter, Mikha'il Ruman's Hamdy, and the Rhetoric of Frustration
    AAH Ibrahim
    American University in Cairo , 1996
    1996.0
  • Angry half-rebels
    AAH Ibrahim
    1995.0
  • Areeg Ibrahim, eds (2016)
    S Aaltonen
    Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics , 0
    Citations: 2

MOST CITED SCHOLAR PUBLICATIONS

  • Literature of the converts in early modern Spain: nationalism and religious dissimulation of minorities
    A Ibrahim
    Comparative literature studies 45 (2), 210-227 , 2008
    2008.0
    Citations: 18
  • Rewriting Narratives in Egyptian Theatre
    S Aaltonen, A Ibrahim
    Routledge , 2016
    2016.0
    Citations: 6
  • Lessons in Revolting: A postdramatic theatre in Egypt
    A Ibrahim
    The Routledge Companion to Theatre and Politics 24, 106-108 , 2019
    2019.0
    Citations: 2
  • Politics of Choice and Cultural Representation in Translating Egyptian Drama between Two Revolutions (1952–2011)
    A Ibrahim
    Rewriting Narratives in Egyptian Theatre, 53-96 , 2016
    2016.0
    Citations: 2
  • Times of Unrest [Zaman Qaraqoush]
    A Ibrahim
    Cairo: General Egyptian Book Organization , 1999
    1999.0
    Citations: 2
  • Areeg Ibrahim, eds (2016)
    S Aaltonen
    Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics , 0
    Citations: 2
  • Ego Quest from Impoverishment to Reconciliation in Velina Houston’s Japanese American Play Kokoro (True Heart): A Freudian Reading.
    L Fahim, A Ibrahim, SA Alam
    International Journal of Arabic-English Studies (IJAES) 24 (2) , 2024
    2024.0
    Citations: 1
  • Rewriting Narratives in Egyptian Theatre: Translation, Performance, Politics
    R El Zein
    TDR (1988-) 62 (4), 177-180 , 2018
    2018.0
    Citations: 1
  • Cultural Exchanges and Creative Activists in the American and Egyptian Revolutions: Warren’s Group and Soliman’s Lessons in Revolting’
    A Ibrāhīm
    Proceedings: The Eleventh International Symposium of Comparative Literature … , 2012
    2012.0
    Citations: 1
  • Masks of ontology: A comparative study of representative contemporary British and Egyptian drama
    AAH Ibrahim
    University of Connecticut , 2003
    2003.0
    Citations: 1
  • The Potential Impact of Drama Text Translation on Audiovisual Translation
    A Khuddro, A Ibrahim
    British Journal of Translation, Linguistics and Literature 3 (4), 36-53 , 2023
    2023.0
  • Innovation in Gertrude Stein’s Anti-Plays: Genre Analysis of What Happened, Capital Capitals and Dr. Faustus Lights the Lights
    A Ibrahim
    Helwan Journal of English Studies , 2023
    2023.0
  • Brave Expatriate New Worlds: Migration and Acculturation in Betty Shamieh’s Roar and David Henry Hwang’s FOB
    A Ibrahim
    مجلة کلية الأداب-جامعة حلوان 57 (2), 1-11 , 2023 ‎
    2023.0
  • Transformation of Bicultural Korean American Identity from Role Confusion to Fidelity in Julia Cho’s Durango
    L Fahim, A Ibrahim, SAM Abou Alam
    Helwan Journal of English Studies 2 (01), 64-77 , 2023
    2023.0
  • Sonali Pahwa, Theaters of Citizenship: Aesthetics and Politics of Avant-Garde Performance in Egypt
    A Ibrahim
    Modern Drama 64 (2), 250-252 , 2021
    2021.0
  • ﻣﺴﺮﺡ ﺍﻷﻗﻠﻴﺎﺕ ﻭﻣﺴﺮﺡ ﺍﻟﻤﻘﻬﻮﺭﻳﻦ: ﻭﺍﺗﺴﻮﻧﭭﻴﻞ ﻟﻠﻜﺎﺗﺒﺔ ﺍﻟﺘﺸﻴﻜﺎﻧﻴﺔ ﺷﻴﺮﻱ ﻣﻮﺭﺍﺟﺎ/Minority Theater and Literature of the Oppressed: Cherríe Moraga's" Watsonville" ‎
    ﺃﺭﻳﺞ ﺇﺑﺮﺍﻫﻴﻢ ‎
    Alif: Journal of Comparative Poetics, ١١١-١٢٧ , 2011 ‎
    2011.0
  • the emergence of Consciousness and the construction of subjectivity as ideology in a spanish and a Tunisian film
    AA Ebrahim
    Philology 51 (1) , 2009
    2009.0
  • Short Arabic Plays: An Anthology
    A Ibrahim
    Ecumenica 1 (2), 111-113 , 2008
    2008.0
  • Angry Half-rebels: Osborne's Jimmy Porter, Mikha'il Ruman's Hamdy, and the Rhetoric of Frustration
    AAH Ibrahim
    American University in Cairo , 1996
    1996.0
  • Angry half-rebels
    AAH Ibrahim
    1995.0