@kabarak.ac.ke
School of Music and Media
Kabarak University
This study examines the dual role of music in Kenya's Gen Z movement as both a tool for mobilisation and a medium for expressing dissent against political intolerance, using Cultural Resistance Theory. From the 2002 anthem "Unbwogable" to the 2024 protest song "Reject, Reject the Bill," music has been instrumental in resisting oppression and advocating for political reform. Through lyrical analysis, this study explores how music fosters solidarity, raises awareness, and drives political change. Social media further amplifies music's impact, positioning it as a powerful mechanism for challenging hegemonic structures and promoting systemic transformation in Kenya.
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