Marwan Kadhim Mohammed

@uoanbar.edu.iq

Dept. of English, College of Education for Humanities
University of Anbar

Dr. Marwan Kadhim Mohammed is an Associate Professor of Contemporary English Literature and novels at the University of Anbar, Iraq. In 2017, he obtained his PhD in Literature from UPM University (Malaysia) under the supervision of Assoc. Prof. Dr. Wan Roselezam Wan Yahya.

RESEARCH, TEACHING, or OTHER INTERESTS

Literature and Literary Theory, Literature and Literary Theory, Arts and Humanities, History
5

Scopus Publications

Scopus Publications

  • Human existence in Kafka's The Metamorphosis
    Marwan Kadhim Mohammed
    Social Sciences and Humanities Open, 2025
  • Environmental crises and narrative consciousness in Maja Lunde's the History of Bees
    Marwan Kadhim Mohammed
    Social Sciences and Humanities Open, 2024
  • Moderation of the Narrative Discourse and Historical Authenticity in William Faulkner'sABSALOM, ABSALOM!
    Marwan Kadhim Mohammed, Mohammed Deraa Farhan
    Dirasat Human and Social Sciences, 2023
    Objectives: The study aims to introduce Faulkner's concept of moderation in narrative discourse and its relationship to historical authenticity, to determine how this concept is embodied in the structure and the language of the novel. The study also aims to show how Faulkner's novel Absalom, Absalom! Reflects aspects of historical authenticity by employing the concept of moderation as a basis for balance in narrative discourse. 
 Methods: Fisher and Ravizza's theory of responding to moderate reasons was chosen as the theoretical framework for the study. The descriptive analytical method was used to analyze selected texts from Faulkner’s novel Absalom, Absalom! to investigate how moderation and historical authenticity are embodied in the narrative discourse of that novel. The results obtained from the analysis were then compared with Fisher and Ravizza's theory to highlight the relationships between the concepts of moderation and historical authenticity and how each influences the other. 
 Results: The concept of moderation is evident in highlighting important aspects of historical authenticity. The narrative discourse relies on historical authenticity as as a crucial foundation for achieving a balance, effectively influencing the portrayal of the concept of moderation. Faulkner's narrative discourse is closely associated with historical authenticity. Balance is achieved in the novel by embodying the concepts of moderation and historical authenticity. 
 Conclusions: Faulkner reformulates the narrative discourse of the concept of moderation with historical authenticity that leads him to strengthen the spirit of tolerance as an essential component of the balance of that discourse.
  • The surprise as a communicative technique of deviation in Alice Walker's novel (The color purple)
    Dirasat Human and Social Sciences, 2020
  • Truth problematization and identity formation: A foucauldian reading of Martin Amis's money
    Marwan Kadhim Mohammed, Wan Roselezam Wan Yahya, Hardev Kaur, Manimangai Mani
    3l Language Linguistics Literature, 2016
    Transgression in postmodern age marked a unique social and cultural aspect in re-forming the identity of the postmodern man. Martin Amis mirrors the identities of his characters through their transgression of the social norms, specifically, the established norms of truth of masculinity. However, this idea of truth transgression in Amis's novel Money has not been fully taken into account and there has been little discussion about it in terms of identity formation. Thus, the aim of this paper is to investigate the way in which transgression of truth affects the idea of identity formation in Amis's novel Money. Drawing on Michel Foucault's technique of problematisation, the present paper investigates the notion of transgressing the historical truth of masculinity which becomes a significant idea that the protagonist John Self manipulates to actualise himself and to pick up his own identity. The paper reveals a conclusion in which transgression of truth can be instrumental in realising the self and re-affirming subjectivity as the case is in John Self. Keywords: transgression; Foucault; problematisation; Amis; money DOI: http://doi.org/10.17576/3L-2016-2202-09