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This research aims to conduct a documentary analysis centered on the production within post-colonial regions adjacent to tropical mangroves in Lusophone territories. It explores the Manguebeat movement as a critical contribution to understanding the Anthropocene. Employing audiovisual archives, reminiscent of Derrida's specters, this study encompasses fieldwork conducted in Portugal. It involves interviews and works by immigrant artists and researchers from Mozambique and Brazil, seeking to explore how Manguebeat practices can enrich contemporary critiques within local and global assemblage dynamics. Amidst the backdrop of a historical trend of modern extractivism, this study engages with Anthropocene studies that critique the monocultural legacy of a 'plantatiocene'. It contrasts these perspectives with the potential offered by narratives and fictions in the creation of world-making processes, akin to concepts explored by Donna Haraway and Anna Tsing (2017). Specifically, it refers to