Gender Studies, General Arts and Humanities, Literature and Literary Theory, Arts and Humanities
3
Scopus Publications
Scopus Publications
Unveiling New Feminist Insights into the Inspiring Narrative of Women Pioneering India's Accomplished Mars Mission in the Film Mission Mangal Abirami T, Maanini Jayal V, Lourdes Antoinette Shalini, Greeni A, Arun G, et al. World Journal of English Language, 2024 The present research article delves into the transformative journey of women in society, with a particular focus on their education and emancipation, as depicted through the lens of cinema. In recent years, women have evolved from traditional roles to multifaceted individuals who actively shape their destinies. This transformation encompasses their education, as they gain access to knowledge and learning, and their emancipation, as they assert their rights and seek opportunities for personal and professional growth. Furthermore, this study explores the representation of these transformations in films, examining how cinema is a potent tool for educating and empowering women. “There are various works that deal with feminism through writings and movies which bring out the nature of women in a way that every woman can relate and reflect it with their daily lives.” (Shalini & Alamelu 2018) It investigates the portrayal of women’s lives and their journey towards self-realization and sheds light on the societal dynamics and challenges they encounter. Through cinematic narratives, women’s stories gain the potential to inspire and mobilize positive change, challenge existing norms and promote gender equality. The present study employs content analysis as the methodological approach, and this study seeks to provide a comprehensive analysis of the representation of women in “Mission Mangal” from a feminist viewpoint, revealing fresh insights into the portrayal of women’s roles and contributions in India’s Mars Mission exploration story.
A Reading of Margaret Atwood's The Handmaid's Tale Based on Jasodhara Bagchi's Interrogating Motherhood: An Indian Radical Feminist Perspective Maanini Jayal V., B. Sivakami Theory and Practice in Language Studies, 2022 According to Jasodhara Bagchi (2017), "It is as a mother that a woman gains some agency". Contrary to popular belief, the womb is not an 'inert receptacle'; it can allow or prevent sperm invasion, but only when the woman can decide the same. The extreme onslaught of patriarchy and totalitarian supremacy in the Society of Gilead has resulted in the manipulation of motherhood. By proposing an alternate reality in which women's lives are controlled solely by procreation and gender roles imposed strictly and violently, Margaret Atwood's The Handmaid's Tale (1985) investigates the nature of human existence, particularly for women, in a culture bereft of free will. The novel pertains to both historical and present social challenges, particularly those affecting women. Though there are several research studies on the novel's western feminist perspectives focused on women's identity, status, role, oppression, womanhood, and surrogacy, there is a lack of studies focusing on the Indian perspective of the novel. The present article focuses on the problems of motherhood, its connection with Indian society by analysing the major feminist concerns and the contemporary issues based on the novel. The study explicitly aims to analyse motherhood based on the feminist perspective of Bagchi's Interrogating Motherhood and bring together radical feminist theorising in the broad sense of conceptualising social reality from an Indian perspective. The novel reinforces marriage and motherhood's social and biological ideals and its role in depriving female agency. From the Indian radical feminist perspective, the novel reveals women's complicity in upholding male dominance.
Perusal of the power: The ascendancy of electrifying women in naomi alderman's speculative fiction Journal of Advanced Research in Dynamical and Control Systems, 2018
