Thales Roel is a sound designer, sound engineer, and researcher at Centre for Informatics and Systems of the University of Coimbra (CISUC). His areas of interest include Computer Aided Composition, Music Analysis, Computer Mediated Multimodal Environments, Computational Creativity, Human-Computer Interaction, He holds a Bachelor's degree in Music with a focus on composition (2021) from the Institute of Arts at the State University of Campinas (Unicamp) in Brazil. Additionally, he has a study certificate in Sound Engineering (2021) from the School of Electrical and Computer Engineering at the same University. He has participated in workshops and masterclasses with Phillippe Manoury, Michel Redolfi, Marcus Siqueira, Fábio Zanon, Jonathan Crissman, Laiana Oliveira, Conrado Paulino, among others. Currently, he is enrolled in the PhD in Computational Media Design at the Institute of Interdisciplinary Research of the University of Coimbra in Portugal. His PhD work focuses on developing sound
RESEARCH, TEACHING, or OTHER INTERESTS
Multidisciplinary, Music, Media Technology, Human-Computer Interaction
8
Scholar Citations
2
Scholar h-index
RECENT SCHOLAR PUBLICATIONS
Geographically Distributed Performances Mediated by an Artificial Co-Creative Agent TRP Pessanha, P Martins, J Manzolli 21th Sound and Music Computing Conference, SMC 2024 , 2024 2024
Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools VC de Oliveira, TRP Pessanha Revista Vórtex 9 (3), 8-8 , 2021 2021 Citations: 4
Alloy Sounds: Non-Repeating Sound Textures with Probabilistic Cellular Automata TF Tavares, TRP Pessanha, G Nishihara, GZL Avila 2021 24th International Conference on Digital Audio Effects (DAFx), 245-252 , 2021 2021 Citations: 2
Interdisciplinaridade na criação artística: o processo de InFracta TRP Pessanha Universidade Estadual de Campinas , 2021 2021
Virtual robotic musicianship: Challenges and opportunities TRP Pessanha, H Camporez, J Manzolli, BS Masiero, L Costalonga, ... 18th Sound and Music Computing Conference, SMC 2021, 365-371 , 2021 2021 Citations: 2
Uma análise de Trash TV Trance de F. Romitelli pelo viés da sonoridade T Botechia, T Roel XXX Congresso da Anppom , 2020 2020
InFracta: the Body as an Augmented Instrument in a Collaborative, Multi-Modal Piece TRP Pessanha, TR Roque, G Zanchetta, LB Pereira, GL de Oliveira, ... 2020
Universos na palma da mão: A união do erudito contemporâneo e popular brasileiro presentes nas obras de Arrigo Barnabé. TRP Pessanha, DHL Garcia Revista dos Trabalhos de Iniciação Científica da UNICAMP , 2018 2018
MOST CITED SCHOLAR PUBLICATIONS
Some Compositional Approaches in the Practice of live-electronic music from the perspective of technique and technological tools VC de Oliveira, TRP Pessanha Revista Vórtex 9 (3), 8-8 , 2021 2021 Citations: 4
Alloy Sounds: Non-Repeating Sound Textures with Probabilistic Cellular Automata TF Tavares, TRP Pessanha, G Nishihara, GZL Avila 2021 24th International Conference on Digital Audio Effects (DAFx), 245-252 , 2021 2021 Citations: 2
Virtual robotic musicianship: Challenges and opportunities TRP Pessanha, H Camporez, J Manzolli, BS Masiero, L Costalonga, ... 18th Sound and Music Computing Conference, SMC 2021, 365-371 , 2021 2021 Citations: 2
Geographically Distributed Performances Mediated by an Artificial Co-Creative Agent TRP Pessanha, P Martins, J Manzolli 21th Sound and Music Computing Conference, SMC 2024 , 2024 2024
Interdisciplinaridade na criação artística: o processo de InFracta TRP Pessanha Universidade Estadual de Campinas , 2021 2021
Uma análise de Trash TV Trance de F. Romitelli pelo viés da sonoridade T Botechia, T Roel XXX Congresso da Anppom , 2020 2020
InFracta: the Body as an Augmented Instrument in a Collaborative, Multi-Modal Piece TRP Pessanha, TR Roque, G Zanchetta, LB Pereira, GL de Oliveira, ... 2020
Universos na palma da mão: A união do erudito contemporâneo e popular brasileiro presentes nas obras de Arrigo Barnabé. TRP Pessanha, DHL Garcia Revista dos Trabalhos de Iniciação Científica da UNICAMP , 2018 2018